This blond look made its entrance in Europe as during the 1830’s. The style was originally developed in Germany but made its way up to Denmark and got the name Biedermeier. While mahogany was still popular in the northern parts of Sweden Birch was the preferred wood down in the southern regions. The style was more prominent in homes of the upper middle class .
Why interior design?
It must have been in my genes from birth, from a very young age I have always built miniature rooms and houses using the most unusual items and enormous imagination. I really had no second option when I was planning my university education, a career in interior design, it was meant to be.
Interest for antiques – where did it come from?
As with my passion for interior design, antiques have always been a part of a vision for me. Growing up in Virginia I was always surrounded by beautiful examples of Georgian antiques. While working at Parish Hadley in New York City, I would scour Christies and Sotheby’s catalogues most evenings.
Favourite mix of periods / styles in a room?
From my early days, simple Georgian pieces have always been on my radar and now after living in Australia for over twenty years, I like to mix antiques from more exotic origins such as Anglo-Indian and Chinese into my interiors.
How do you convince a client to purchase antiques instead of a new piece?
I am fortunate enough that most clients request that we source at least one or two pieces for a room that will have the patina and character that we all desire. It is these pieces that typically give the room the magic.
Auctions vs. dealers vs. flea markets vs. 1st Dibs?
Up until a few years ago most of our purchasing is done via auctions which entailed a constant search for ‘the right piece’. 1st Dibs has become an invaluable tool for all the designers in our firm to source incredible items from across the globe without visiting the actual locations.
Inspiration sources on how to use antiques?
I have built an incredibly large design book library which is constantly being referenced by my design team. I have also amassed over my 25 year practice tear sheets and magazine pull outs, a reference library for design inspiration which is catalogued and highly utilised by myself and the team.
You have homes both in Sydney and in LA. What are the favourite antique pieces you have place there?
In Sydney, a George III period giltwood console with an alabaster stone top, which originally came from Ditchley is a prize possession as is a Portuguese secretaire bookcase with a pagoda top (it fascinates me this Chinese influence on such an early Portuguese piece).
In Los Angeles, we have amassed a wonderful collection of Chinese and Oceanic artefacts and porcelain for which we can never have enough. Although they are many hundreds of years old, they have such contemporary forms about them.
What style / period do think will be the next trend?
Firstly I don’t usual consider trends in our work but I do see an increased interest and demand for antiques in general. The days of having a home that looks like a single vision showroom are over from what I can see with our clients, everyone wants a more individual character.
Thomas beautiful homes in Sydney and Los Angeles where he splits his time:
Thomas 5 Picks from Laserow Antiques Collection
To see more of Thomas Hamel’s beautiful work go to: thomashamel.com
Tomorrow on Friday March 6 we will “Talk Antiques” with award-winning interior designer and antiques lover Thomas Hamel. We chose to feature Thomas since he has THE eye for seamlessly incorporating gorgeous antiques into his designs and with projects in all four continents and those with a wide range of looks, he is brilliant proof that antiques can fit anywhere anytime.
Check back in tomorrow at noon!